![]() Establish length of shot (frame count, for instance 100 frames)Ģ. Simple camera move: Three positions - with pauses at each - with ease in & ease out.ġ. I can't control it, but since it is a continuous move, I can't split it into sections, so how do I achieve this very simple and basic move, either using the camera or a keyframe move?Īnd on a related note, when I have a camera move which goes from A to B to C and A to B is the exact same field, but just a lateral movement from left to right, why does the resultant move not follow that path, but instead, on the way from A to B, zooms back and in again when it should remain static, but for the left to right movement?Ĭamera-time&positioncurve.gif (15.52 MiB) Viewed 33132 times ![]() If I try and do this with the camera, it goes along and then swoops out past the final position and then back again, which is not what I want. I have a long panning cel and I want to pan left to right and then towards the end, track in tighter on the final section. Now I want to do a move which is continuous, not stopping, but goes through a position before getting to the final place. ![]() viewtopic.php?f=10&t=10455" onclick="window.open(this.href) return false In another thread, I asked about doing multiple camera moves and got a great answer which involves splitting the scene into separate segments, each with one move. Having people to ask for advice in this aspect was one of the reasons we could deliver the animation. Even with the stressful nature of directing a short, I tried to apply what other with more experience directing told me. My major difficulty was communicating with the other team members as someone in charge, to be able to drive exactly what I envisioned and, as ALSO a flaw in my storyboard skills, is also not in the animatic. The experience of being a director was important in many aspects, one of them being that one of the future developments in a storyboard artists career is becoming director themselves and, in the guiding environment of the academia, it was the safest way for me to try this role I feel is too far from where I am standing right now. In both briefs for the BBC many groups dropped in the middle of the production for not being able to finish it but personally, the experience to bringing something to screen is far more valuable as it shows the organization and the ability to compromise to the ones that made it possible to complete the animation in such a short time. Was the kind of project that requires a steady pipeline to be able to deliver what we already had promised to the BBC. In our production meetings we discussed aspects of the work like design and story, and by the moment the animatic was ready, I jumped directly to work on the backgrounds and preparing the file for the final edition. At this point I already had experience doing several aspects of a production and since I had a deadline clear I organized every single task for the animators to be able to focus on animating. Bsides, being a brief with only one month to get the animation to screen I was sure to be able to accomplish it if I followed a fitting schedule.įor this project I also worked in a team with two animators from third year, and assumed the role of director. Practice is important not only in the technical aspects of animation but also at the moment of facing a production. When I was given the opportunity to have another brief with Childrens in Need Charity and the BBC radio, I was heads on to making it.
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